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Marshall's releases as Cat Power have frequently been noted by critics for their somber, blues-influenced instrumentation and melancholy lyrics, leading LA Weekly to dub her the "queen of sadcore".

"They told me they were going to put me in a coma to save my lungs. My friend came to visit and told me I'd made the Billboard Top 10 and all I could think was: 'I don't want to die.'"[91] Marshall was subsequently diagnosed with hereditary angioedema, an immune disorder that causes sporadic swelling of the face and throat due to C1 esterase inhibitor deficiency. In September 2012, she stated she had been hospitalized owing to the condition over eight times, which led her to cancel her European tour.[92]

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While in Atlanta, Marshall played her first live shows kakım support to her friends' bands, including Magic Bone and Opal Foxx Quartet.[22] In a 2007 interview, she explained that the music itself was more experimental and that playing shows was often an opportunity for her and her friends "to get drunk and take drugs".

Cat Power performing in Amsterdam, Netherlands, 2008 Marshall's live shows have been known for their unpolished and often erratic nature, with songs beginning and ending abruptly or blending into one another without clear transitions.[103] She has also cut short performances without explanation.

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Benimkinden sonra bir tefsir catpower 4222 inceleme eklenirse bana bu catpower 4222 inceleme adrese elektronik posta ile bildir:Benimkinden sonra bir tefsir eklenirse bana bu adrese elektronik posta ile bildir

During the early-2000s, Marshall was embraced by the fashion industry for her "neo grunge" look, and seen as a muse by designers Marc Jacobs and Nicolas Ghesquière.

[20] The group were booked for a show and had to come up with a name quickly; after seeing a man wearing a Caterpillar trucker cap that read: "Cat Diesel Power", Marshall chose Cat Power birli the name of the band.[3][21]

Critics have noted the constant evolution of Cat Power's sound, with a mix of punk, folk and blues on her earliest albums, and elements of soul and other genres more prevalent in her later material.[7]

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